Yana Skakun
Yana Skakun
Documentary wedding photography at one of Cambridge’s most iconic venues.
Introduction
King's College Chapel is, by any honest measure, one of the most photographically extraordinary places in the world to be married. The combination of the late-Perpendicular fan vault — the longest in the world at 88 metres — and the twelve sixteenth-century stained-glass windows produces an interior of pure architectural drama, washed in coloured light at almost any time of day. To photograph a wedding here is a privilege, and one that demands a particular kind of attention. My approach to King's is documentary first. I treat the Chapel as the cathedral-scale space it is — letting the architecture frame the ceremony, using the available light without flash, working from the side aisles and the rood screen to capture both the intimacy of the vows and the grandeur of the setting. After the ceremony, the doors open onto King's Parade, the cloisters and, beyond the gatehouse, the Backs — a different photographic world entirely. Couples who marry at King's are typically members of the University, current or past, with deep ties to the College. Many have planned this day for years. What I try to give back, photographically, is a complete and faithful record — not just the headline frames but the small unrepeatable gestures: the choir's faces as the anthem rises, the moment your grandmother first sees the fan vault, the rain of rose petals in the front court, the long evening walk together along the river.
Venue history
King's College was founded in 1441 by the eighteen-year-old Henry VI, who envisaged a sister institution to his earlier foundation at Eton. The Chapel — the only part of his original quadrangle ever completed — was begun in 1446 and finished in stages by Edward IV, Richard III and Henry VII, before Henry VIII paid for the glazing and the rood screen in the 1530s. It is therefore the work of five English kings across nearly a century, and remains the supreme statement of the English Perpendicular Gothic style. The fan-vaulted ceiling, executed in white Yorkshire stone by master mason John Wastell between 1512 and 1515, is the largest of its kind in existence. The twelve great windows on the north and south walls retain almost all of their original Flemish-glazed sixteenth-century glass — an exceptionally rare survival. Behind the high altar hangs Peter Paul Rubens's "Adoration of the Magi" (1634), donated to the Chapel in 1961, its rich Baroque warmth a deliberate counterpoint to the cool austerity of the medieval architecture. The College itself has educated six prime ministers, Salman Rushdie, John Maynard Keynes, E.M. Forster and Alan Turing, and remains home to one of the world's most celebrated choirs — the Festival of Nine Lessons and Carols, broadcast each Christmas Eve from this very Chapel, has been continuous since 1918. For couples married here, the building itself is half the story.
Photography
Chapel exterior on King's Parade — the gatehouse and front court approach, perfect for confetti and group photographs after the ceremony.
Chapel interior beneath the fan vault — natural-light portraits with the stained-glass windows behind, captured without flash to honour the ceremony's quiet dignity.
The Backs — the wide lawn between the Chapel's west end and the River Cam, with weeping willows and punts drifting past for couple portraits of pure Cambridge character.
Punting with the Chapel rising behind — short post-ceremony punt with the bride and groom along the Cam beneath Clare Bridge.
Senate House gardens and Trinity Lane — quieter cobbled-lane portrait settings minutes from the Chapel door, away from the main tourist routes.
Trinity Lane portraits at golden hour — the narrow stone lane between King's and Trinity, where evening light skims the pale Ketton stone.
On the day
Bridal preparation coverage at the University Arms or a College guest room — natural details, dress, jewellery, getting-ready candids.
Private first look in the Provost's Garden — a quiet five minutes for the couple before the ceremony begins.
Guests arrive at the Chapel; processional and choir warm-up captured from the side aisles.
Chapel ceremony — vows, readings, anthem, blessing. Photographed entirely without flash, using available light.
Confetti exit through the gatehouse onto King's Parade — joyful, full-energy frames as guests line the route.
Group photographs in the front court — family configurations and the full guest portrait against the Chapel's west front.
Couple portraits along the Backs — slow walking session, willow trees, river views, the Chapel rising behind.
Punting interlude — a short relaxed punt along the Cam past Clare and Trinity bridges, captured from the bank.
Drinks reception in the Provost's Garden or Front Court — natural candids, toasts, golden-hour light.
Dinner in the Old Hall followed by first dance — candlelit, atmospheric, the day closing in the heart of the College.
Planning notes
Gallery
“Yana captured King's exactly as we hoped — the grandeur, the choir, the rain of petals on the Parade, the long quiet walk along the Backs. Every photograph feels like the day itself. We could not recommend her more warmly to any couple marrying at the Chapel.”
Hannah & Robert
King's College Chapel Wedding
Frequently Asked
Marriages in King's College Chapel are reserved for current and past members of the College (fellows, students, alumni) and members of the University of Cambridge in specific circumstances. Bookings are made through the Chapel office and typically require eighteen months' notice. Many couples without a College connection marry elsewhere in Cambridge and come to King's for portraits.
The Chapel comfortably seats around 350 guests in the nave and choir stalls, with capacity for larger congregations on major occasions. Most family weddings sit in the range of 80 to 200 guests, which fills the space beautifully without feeling sparse.
The Chapel is not generally available for non-wedding photoshoots — it remains a working place of worship and Choral Foundation. However, the College Backs, Front Court and the immediate exterior are accessible for portrait sessions, and many couples book a King's Backs portrait shoot independently of any ceremony.
It depends. For ceremonies under 100 guests with a straightforward timeline, a single photographer covers the day comfortably. For larger weddings, parallel bridal and groom preparation, or weddings with reception immediately after at a separate venue, a second photographer adds genuine value — and I work with two trusted associates I bring on as required.
My full-day Cambridge wedding packages start from £2,395 and include up to 12 hours of coverage, an online gallery, high-resolution files and a pre-wedding venue consultation. King's-specific extras such as second photographers and pre-Chapel rehearsal coverage are available on request. Detailed pricing is on the Investment page.
Planning a wedding at King's College Chapel?
I’d love to hear about your plans — venue, date, and any ideas you already have. I reply within 24 hours.